![]() ![]() I Just got a Collings I35-LC, which is an incredible guitar. It’s got Lollar Charlie Christian pickups, and I used that one on a lot of things-Sign of Life, The Windmills of Your Mind. I also have a Rick Kelly Tele-style made out of pine from a piece of wood taken from Jim Jarmusch’s old loft on the Bowery. He also recently made me a Strat-style guitar that is very similar to my original ’63 Strat, which I played a lot, along with a Yanuziello guitar, on All We Are Saying. I also have a few Tele-style guitars that are put together or modified by J.W. What’s kind of seductive is that it’s all still this basic Telecaster and I can get comfortable with the scale, size, and shape of the guitar to where it feels at home, but from one to another-putting certain pickups in certain guitars-there are amazing differences. ![]() I also use a Tom Jones Filter’Tron pickup in the neck position of a Nash Tele-style guitar. Getting into Telecasters you start thinking, “What does this pickup sound like and what does that pickup sound like?” I have Lollar, Don Mare, Lindy Fralin, and Seymour Duncan pickups-the Antiquity model. Oh man, I’ve definitely gone off the deep end. I changed all the parts on it and everything. I’ve been playing Telecasters a lot-different versions of it-and most recently I’ve also been playing Stratocasters.Ī bunch of them. I sent it back to get repaired years ago and it went away from me for quite a long time, so during that time I started getting back to mostly Fender stuff. Speaking of which, are you still using the Klein guitar? ![]() While the hollowbody is still the de facto jazz guitar, you’ve used an SG and even headless guitars at one point. Another way that you’ve carved your own path is with your equipment. ![]()
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